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CULTURE

Top German art show director quits in anti-Semitism row

The director general of Documenta, one of the world's biggest art fairs, was forced to resign on Saturday following outrage over anti-Semitic exhibits upon opening in Germany last month.

Traffic sign for documenta city Kassel in Germany
A traffic city name sign of the documenta-city Kassel, in Kassel, central Germany. Documenta 15 takes place at 32 exhibition and event venues in Kassel from June 18 to September 25, 2022. (Photo by Anton Roland LAUB / AFP)

Documenta, which every five years turns the sleepy German city of Kassel into the centre of the art world, features more than 1,500 participants and for the first time since its launch in 1955, had been curated by a collective,
Indonesia’s Ruangrupa.

But on Saturday its supervisory board expressed “profound dismay” about “clearly anti-Semitic” content after the fair opened in June, saying an agreement had been reached with director general Sabine Schormann to “terminate (her) contract.”

An interim director would be appointed, a statement added.

Two days after the show opened to the public, one of the works on display by Indonesian art group Taring Padi came under fire over depictions that both the German government and Jewish groups say went too far.

On the offending mural is the depiction of a pig wearing a helmet blazoned “Mossad”.

On the same work, a man is depicted with sidelocks often associated with Orthodox Jews, fangs and bloodshot eyes, and wearing a black hat with the SS-insignia.

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The work was covered up after Jewish leaders and Israel’s embassy to Germany voiced “disgust”, but the row cast a deep shadow over an event now into its 15th edition.

Germany’s Culture Minister Claudia Roth backed Schormann’s departure and demanded an investigation into how anti-Semitic work was admitted in the first place.

‘Lost of trust’
“The necessary conclusions must be drawn,” Roth was quoted as saying by the Frankfurter Rundschau daily.

Documenta’s supervisory board promised a full investigation, conceding that “a lot of trust has unfortunately been lost” and pledging to prevent other “anti-Semitic incidents”.

But Remko Leemhuis, director of the American Jewish Committee Berlin, accused Documenta of not going far enough and of having “still not understood the problem”.

Quoted by Bild daily, Leemhuis was especially critical of the board’s reference to “accusations of anti-Semitism” since the pieces were, he said, clearly “anti-Semitic”.

The contemporary art event had been clouded in controversy for months over its inclusion of a Palestinian artists’ group strongly critical of the Israeli occupation.

Ruangrupa came under fire for including The Question of Funding collective over its links to the BDS boycott Israel movement.

BDS was branded anti-Semitic by the German parliament in 2019 and barred from receiving federal funds. Around half of Documenta’s 42-million-euro (dollar) budget comes from public funds.

Kassel was home to a vast forced labour camp during World War II and was heavily bombed by the Allies. Documenta aimed to put Germany back on the cultural map after the Nazis’ campaign to crush the avant-garde.

The fair, which runs until September 25, now ranks with the Biennale in Venice among the world’s premier showcases of contemporary art.

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CULTURE

Mondrian painting hanging upside down for 77 years: German museum curator

A painting by Dutch abstract painter Piet Mondrian has been hanging upside down for 77 years, says a curator at a German museum.

Mondrian painting hanging upside down for 77 years: German museum curator

A large retrospective of the avant garde artist’s work went on display Saturday at the Kunstsammlung museum in Dusseldorf, and one of the pieces on show is “New York City 1”, painted in 1941.

But as she prepared for the exhibition, curator Susanne Meyer-Buser discovered the painting had been presented to the public rather differently from how it was perhaps intended to be on show.

“In a photo from 1944, I saw that the canvas was the other way around on an easel. It intrigued me,” Meyer-Buser told German daily Suddeutsche Zeitung.

The painting, consisting of several lines in blue, red and yellow intersecting at right angles, was then displayed shortly after in the wrong way at MoMA in New York, the curator said.

It was then transferred to the Dusseldorf museum in 1980 and put on show in the same way.

The error could have been made because “the painting doesn’t have a signature”, according to Meyer-Buser.

The decision to present the work in the manner it has been for decades was probably determined by “the artist’s name inscribed on the back of the frame by the administrator of the (artist’s estate)” at the time of Mondrian’s death
in 1944.

Mondrian, born in 1872, was a noted exponent of the 1920s abstract art movement known as “De Stijl” and was one of the most influential figures in modern art in the 20th century.

In 1940, he moved to New York where the skyscrapers and layout of the city would inspire his horizontal lines. He died in New York in 1944.

His most famous artwork is “Victory Boogie Woogie”, considered one of the most important artworks of the 20th century.

 
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