SHARE
COPY LINK
For members

CULTURE

A guide to Erich Kästner: the father of German children’s books

When most people think of German authors, Goethe, Kafka and Mann are the first to come to mind - but Dresden-born Erich Kästner has also made a huge impact on the German literary scene. You may be surprised to see some stories you recognise included in this list of his major works.

Florian David Fitz as Eric Kästner
Florian David Fitz plays German author Erich Kästner in the drama, "Kästner and the little Tuesday". Photo: picture alliance/dpa/ARD Degeto/Dor Film/ | Anjeza Cikop

Erich Kästner was primarily known for his numerous children’s books, many of which have been adapted into classic films, both in English and in their original German language.

His works are noted for their realistic settings, which was a major change from most children’s novels at the time, and the fact that their social commentary is still considered relevant today. Kästner frequently depicted the adult world in a negative way, contrasting with that of children, symbolizing a hope for the development of humanity and its future.

He was also a pacifist and actively opposed the Nazi regime, which resulted in much of his work being banned and burned in the spring of 1933.

Since then, however, most of his works have remained in publication.

Here are five of his most popular works and why they continue to stand the test of time.

Lottie and Lisa (original title: Das doppelte Lottchen)

This classic novel revolves around a set of twin girls separated at birth who reunite years later at a summer camp. English-speaking audiences may be more familiar with the two Disney adaptations, titled The Parent Trap, but there have been many others in a number of languages, including German, Japanese, Hindi and Korean.

While Kästner came up with the concept as a film in 1942, due to strict film laws by the Nazis, the project was dropped, and Kästner worked out the story into a novel after the war. The subject of divorce plays a major role in the novel and the introduction of an independent, single and working mother as a character was praised. The work also stands out for its two main characters being girls, which was unusual for Kästner’s work at the time. The central storyline is used as inspiration in a number of modern works, and even a tramway in Dresden was named after the two title characters.

Parent trap
A scene from the 1990s Disney film, Parent Trap, which was based on Kästner’s ‘Lottie and Lisa’. Photo: picture-alliance / dpa | Ipol

Emil and the Detectives (original title: Emil und die Detektive)

Probably one of Kästner’s most well-known works, Emil and the Detectives was published in 1929 and became an instant hit upon its release. It contrasted with most of German children’s literature at the time by not being fairytale-like or moralizing, instead depicting humour and adventure in a modern, mundane setting.

The story follows Emil Tischbein, a twelve-year-old boy who has his money stolen from him on the train to Berlin, prompting him and several children to gather, find the thief and solve the crime. Like in many of his works, it is the children who are the heroes of the story, restoring peace to society, in contrast to the adult’s ineptitude. The novel has had several adaptions, both in film and on the stage as well as a sequel, which was published in 1934. You can also view the original typescripts of the novel, as they are on display in the Literaturmuseum der Moderne in Marbach, Baden-Württemberg.

READ ALSO: From shocking storytelling to diverse characters: How Germany’s children’s books are changing

The Flying Classroom (original title: Das fliegende Klassenzimmer)

The Flying Classroom is set in a boarding school in Bavaria and follows five friends rehearsing for a play (“The Flying Classroom”, hence the book title), who face a rivalry with another school amongst other everyday issues. The novel has been deemed timeless by critics and has been applauded for addressing issues such as childhood abandonment, poverty and the yearning for approval. The book has had three film adaptations, starring popular German actors such as Joachim Fuchsberger, Ulrich Noethen and Sebastian Koch, and has become a permanent feature in many German school’s curricula.

Statue of Erich Kästner
A mask is placed on the statue of Erich Kästner outside of the Erich Kästner Museum in Dresden. Photo: picture alliance/dpa/dpa-Zentralbild | Sebastian Kahnert

Annaluise and Anton (original title: Pünktchen und Anton)

Published in 1931, Annaluise and Anton explores the lives of two children from vastly different social classes, Annaluise coming from a wealthy family living in a mansion and Anton, from a poorer family, who has to care for his sick mother in their small, run-down apartment. Despite their different backgrounds, the two become close friends.

The novel has been praised for its social commentary, with Kästner interspersing so-called “afterthoughts” between the chapters of the story, in which he addresses several ethical questions. Like most of Kästner’s works, Annaluise and Anton has been adapted into two German films, released in 1952 and 1999 respectively, as well as a children’s opera, a musical and a play. It was also one of Kästner’s novels that was burnt in the Nazi book burnings – a moment commemorated by a stone memorial plaque in Bonn’s market square to this day. 

READ ALSO: How a Hamburg woman handled her father’s secret Nazi past

The Animals’ Conference (original title: Die Konferenz der Tiere)

The Animals’ Conference was Kästner’s first novel published after the Second World War in 1949 and therefore carries many allusions to real-life events in Germany at the time. In the book, representatives of all animal species on earth call an international conference to achieve world peace, due to the political failure of humans.

Puppet show
Actors use puppets in a dramatisation of Kästner’s Animal Conference in Leipzig. Photo: picture alliance / Birgit Zimmermann/dpa-Zentralbild/dpa | Birgit Zimmermann

It is probably Kästner’s most obvious portrayal of his anti-militarist, pacifist views, and the need to protect the welfare of children – a frequent motto used by the animals in the story is “It’s about the children”. The book also features strong satire on German bureaucracy and the military. It is therefore no surprise that this novel remains relevant today and is willingly read by both children and adults. Two animated film adaptations have been released, though Walt Disney himself turned down the opportunity due to the story being too political.

While these books are aimed at children, their messages and impact can be appreciated and understood by people of all ages. It is therefore no surprise that Kästner has become a household name of Germany, being a recipient of a number of literary prizes and having over 96 streets and 100 schools named after him.

If you’re interesting in finding out more about this classic German author, you can visit the Erich Kästner Museum in Dresden or find plaques honouring the author in his birthplace in Dresden and at his former residences in Berlin.

READ ALSO: 

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

CULTURE

German town resurrects 400-year-old biblical play tradition

Walk around the German Alpine village of Oberammergau, and the chances are you'll run into Jesus or one of his 12 disciples.

German town resurrects 400-year-old biblical play tradition

Of the 5,500 people living there, 1,400 — aged from three months to 85 — are participating this year in the once-a-decade staging of an elaborate “Passion Play” depicting the death and resurrection of Jesus Christ.

Dating back to 1634, the tradition has persisted through four centuries of wars, religious turmoil and pandemics — including the most recent Covid-19 crisis which caused the show to be postponed by two years.

“I think we’re a bit stubborn,” says Frederic Mayet, 42, when asked how the village has managed to hold on to the tradition.

Mayet, who is playing Jesus for the second time this year, says the Passion Play has become a big part of the town’s identity.

Oberammergau Passion Plays

Posters for the 42nd Oberammergau Passion Play – which was originally scheduled to take place in 2020. Photo: picture alliance/dpa | Angelika Warmth

The only prerequisite for taking part in the five-hour show, whether as an actor, chorister or backstage assistant, is that you were born in Oberammergau or have lived here for at least 20 years.

“I remember that we talked about it in kindergarten. I didn’t really know what it was about, but of course I wanted to take part,” says Cengiz Gorur, 22, who is playing Judas.

READ ALSO: REVEALED: The best events and festivals in Germany this July

‘Hidden talent’ 

The tradition, which dates back to the Thirty Years’ War, was born from a belief that staging the play would help keep the town safe from disease.

Legend has it that, after the first performance, the plague disappeared from the town.

In the picturesque Alpine village, Jesus and his disciples are everywhere — from paintings on the the facades of old houses to carved wooden figures in shop windows.

You also can’t help feeling that there is a higher-than-average quota of men with long hair and beards wandering the streets.

Religious figurines Oberammergau

Religious figurines adorn a shop window in Oberammergau. Photo: picture alliance/dpa | Angelika Warmuth

An intricate image of Jesus graces the stage of the open-air Passion Play theatre, where the latest edition of the show is being held from mid-May to October 2nd.

“What has always fascinated me is the quality of the relationship between all the participants, young and old. It’s a beautiful community, a sort of ‘Passion’ family,” says Walter Lang, 83.

He’s just sad that his wife, who died in February, will not be among the participants this year.

“My parents met at a Passion Play, and I also met my future wife at one,” says Andreas Rödl, village mayor and choir member.

Gorur, who has Turkish roots, was spotted in 2016 by Christian Stückl, the head of the Munich People’s Theatre who will direct the play for the fourth time this year.

“I didn’t really know what to do with my life. I probably would have ended up selling cars, the typical story,” he laughs.

Now, he’s due to start studying drama in Munich this autumn.

“I’ve discovered my hidden talent,” he says.

READ ALSO: Nine of the best day trips from Munich with the €9 ticket

Violence, poverty and sickness

Stückl “has done a lot for the reputation of the show, which he has revolutionised” over the past 40 years, according to Barbara Schuster, 35, a human resources manager who is playing Mary Magdalene.

“Going to the Passion Play used to be like going to mass. Now it’s a real theatrical show,” she says.

In the 1980s, Stückl cut all the parts of the text that accused the Jews of being responsible for the crucifixion of Jesus, freeing the play from anti-Semitic connotations.

“Hitler had used the Passion Play for his propaganda,” Schuster points out.

Stückl

Christian Stückl, the director of the Oberammergau Passion Play, holds a press conference announcing the cancellation of the play in 2020. Photo: picture alliance/dpa | Angelika Warmuth

The play’s themes of violence, poverty and sickness are reflected in today’s world through the war in Ukraine and the Covid-19 pandemic, say Mayet, the actor playing Jesus.

“Apparently we have the same problems as 2,000 years ago,” he says.

For 83-year-old Lang, who is playing a peasant this year, the “Hallelujah” after Christ has risen for the final time in October will be a particularly moving moment.

“Because we don’t know if we’ll be there again next time,” he says, his eyes filling with tears.

By Isabelle Le Page

SHOW COMMENTS