Life in corpses: Behind the scenes of ‘Body Worlds’ in Ulm

Hidden inside a shopping mall in Ulm, Baden-Württemberg, the new Body Worlds exhibit is a startling look at life - even from the vantage point of death.

Life in corpses: Behind the scenes of 'Body Worlds' in Ulm
Visitors at the Body Worlds exhibit in Ulm. Photo courtest of Désirée Müller.

“I do love a fireman” whispers the press officer to me with a wink. I look at the specimen before us kitted out in a New York City Fire Department helmet. He stares glassily back.

“Even without his skin?” I ask. The sound of a beating heart throbs out of a speaker above us. Fut-fut. Fut-fut. The sound of life. The press officer laughs.

I can see the fireman’s stringy red muscles knitted intricately together. I can see the organs in his chest – his lungs like a swallowed set of wings. His eyelashes are visible when I get up close – a disarmingly human detail.

'We don't want the exhibits to look scary'

For the last 20 years, married couple Professor Gunter von Haagens (born in 1945 in former Thuringia) and Dr Angelina Whalley (born in Hanover in 1960) have been collecting, preparing and displaying specimens like the fireman to audiences around the world.

von Haagans and Whalley at the Ulm exhibit. Photo courtesy of Désirée Müller.

The purpose? To show us in vivid detail how the human body works and how our lifestyles can either nourish or damage it. A new version of the exhibition, Body Worlds: A heartfelt thing opened this spring at the Blautal Shopping Centre in Ulm, Baden-Württemberg.

“The bodies in our exhibition may be dead, but in them we see life – and a shopping centre is a place where life happens,” explains Whalley, who completed her medical studies at Heidelberg University.

In 2009, German politicians called for the exhibition to be withdrawn, lambasting it as “disgusting”, while one art critic in London labelled it “a Victorian freak show”.

SEE ALSO: Controversial Body Worlds show comes to Berlin

Facing the criticism, Whalley admits, was challenging at first. Two decades and over 40 million visitors later however, she has evidently toughened up.

Defending the decision to show the bodies in lifelike poses she says: “We don’t want the exhibits to look scary. If we want to show their scientific value, we have to allow the observer to get up close – and by the way, the anatomists of the Renaissance period did the same”.

For some people, visiting Body Worlds is life altering. Whalley recalls watching a young Japanese woman breaking down in tears when the exhibition came to Tokyo.

“She had previously tried to take her own life on three occasions because she’d always felt worthless. She said the exhibition made her realise she actually had something wonderful inside her, and would never harm herself again”.

Photo courtesy of Désirée Müller.

More than 18,000 donors around the world

Everything in the exhibition – from the brains, to the blood vessels – comes from what was once a real person. More than 18,000 people from around the world are currently registered as donors.

After death, the bodies are handed over to Von Haagens and Whalley, who halt the decomposition process using a technique called plastination, invented by the professor in the 1970s.

The process, whereby the body’s fluids are drained and replaced with a special chemical, takes a painstaking 1500 hours.  Whether a donor will later be portrayed as an ice dancer, a gymnast or a chess player however, is another matter.

“I can’t guarantee that someone who rode a motorbike in life will be shown sitting on a motorbike in the exhibition. It depends on the condition of the body and the diseases the individual may have suffered during their lifetime” says Whalley.

Photo courtesy of Désirée Müller.

'We don't want the exhibits to look scary'

These days our bodies bend to the screeching pitch of technology. Our hearts – what the exhibition calls “the engine of life” – pulse to the erratic rhythm of competing demands on our attention.

Social media presents our bodies as something to be mastered, beaten, tamed – something subject to the approval of others, rather than simply being valuable in itself.

Perhaps that’s why Body World continues to attract visitors after so many years on the road; as a welcome reminder of what our bodies are capable of, simply by having a beating heart.

Body Worlds: A Heartfelt thing is currently on display at the Blautal Shopping Centre in Ulm, Baden-Württemberg. The exhibition closes on May 1st, 2019.

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Hamburg to ban fireworks in city centre on New Year’s Eve

This year there will be a ban on fireworks on Hamburg's Jungfernstieg, a promenade that stretches through the centre of the city.

Hamburg to ban fireworks in city centre on New Year's Eve
Fireworks in Hamburg on New Year's Eve in 2013. Photo: DPA

The risk of injuries has increased in recent years due to the improper use of fireworks, as well as a skyrocketing number of people pouring in for the festivities, said Senator of the Interior Andy Grote, of the centre-left SPD. 

The situation on Silvester is also difficult for emergency forces due to aggression from the crowd, filled with many who have been heavily drinking.

Therefore, the fireworks around the Binnenalster – the Inner Alster Lake – are prohibited, he said.

This year there will also be more police officers on hand to implement the ban, although Grote did not provide an exact number. 

Similar bans already exist in cities such as Hanover and Cologne, and a partial ban is going into effect this year in Berlin. 

German law allows the private use of fireworks only for 48 hours surrounding New Year's Eve, although in Berlin firecrackers are only permitted from 6pm on New Year's Eve to 7 am on New Year’s Day.

READ ALSO: Fireworks in Germany: What you need to know about ending the year with a bang

A discussion about New Year's Eve fireworks around Germany will also be on the agenda this Thursday at a press conference in Baruth, Brandenburg.

Last year, 10,000 people came to the area around the Binnenalster in Hamburg, said Ralf Martin Meyer, police president of the Harbour City. Many families with children were also among them.

“Of course, alcohol also plays a role. Missiles are fired in a way that is not safe,” said Meyer.

Last year, five policemen were injured. In addition, a seven-year-old child suffered a facial injury, and a 16-year-old boy sustained a hand injury.

Through a large-scale information campaign, the police are aiming to inform the public about the ban. 

Posters, flyers in various languages and information on public transport is being made available around the city.

“The ban is nothing special, it exists in many cities,” Grote said, pointing out that it was decided in accordance with the country’s Hazard Prevention Act. 

The Jungfernstieg has developed into a focal point in recent years, he said as similar problems don’t exist around the St. Pauli Piers, another popular celebration point.

Berlin ban 

Also responding to dangerous displays of fireworks and “street battles”, Berlin authorities decided in January to impose a partial fireworks ban starting this Silvester.

People in the German capital will no longer be able to set off fireworks in Schöneberg, around the Pallasstraße area, and at Hermannplatz in Neukölln.

READ ALSO: Berlin to impose New Year's Eve fireworks ban in two zones

A ban is already in place around the area of the street called Straße des 17. Juni and Potsdamer Platz in Mitte, meaning there will be three prohibition zones in Berlin in total.

Several injuries, as well as 49 attacks on firefighters and 40 on police officers were recorded during the last New Year's Eve.


Fireworks – (das) Feuerwerk

New Year's Eve – (das) Silvester

crowd – (die) Menschenmenge

A way/method/kind – (die) Art und Weise

A focal point – (der) Kristallisationspunkt

We're aiming to help our readers improve their German by translating vocabulary from some of our news stories. Did you find this article useful? Let us know.