Broadcaster drops ‘anti-gay’ Eurovision pick

Public broadcaster ARD has pulled the plug on its candidate for next year’s Eurovision Song Contest just days after announcing him as their chosen man after a wave of objections to his political views.

Broadcaster drops 'anti-gay' Eurovision pick
Xavier Naidoo. Photo: DPA

Best-selling artist Xavier Naidoo – famed for his 2006 World Cup anthem “Dieser Weg” – was supposed to be a safe bet for next May's Eurovision contest in Stockholm.

After the fracas in the public selection for the 2015 contest in which the public’s choice Andreas Kümmert rejected his own nomination live on TV, the mandarins at public broadcasting decided to hand pick their own man.

But as soon as Naidoo’s selection was made public it was met by a wave of criticism, with this news site among others reporting on Naidoo’s apparently homophobic and sadistic lyrics.

“We're astonished about this choice,” Tobias Zimmermann, a member of the LSVD's federal board, told The Local on Thursday, citing Naidoo's “aggressive and inciting” song lyrics.

Announcing the U-turn at the weekend, ARD’s entertainment director Thomas Schreiber appeared to own up to the misstep saying “It was clear that he divides opinion, but the ferocity of the reaction took us by surprise. We didn’t judge it right.”

Schreiber said that a replacement will be found as quickly as possible.

Naidoo reacted resolutely to the news, saying “my passion for music and my work for peace, tolerance and harmony will not be put off course by this decision.”

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Dancing like there’s no Covid: first German nightclub reopens in Leipzig

For techno enthusiast Philipp Koegler, it almost felt like a normal Saturday night again as he joined 200 fellow revellers at "Distillery", the first German nightclub to reopen since the start of the pandemic.

Dancing like there's no Covid: first German nightclub reopens in Leipzig
A file photo of a disco ball in a night club. Photo: dpa-Zentralbild | Britta Pedersen

“Tonight, there are no rules,” the almost 30-year-old told AFP, whipping off his mask on his way to the dance floor.

Despite more than a year of closures forced by the coronavirus, it didn’t take long for the thumping beats, low lights and buzzing crowds to reawaken the much-missed club atmosphere.

“It feels like I’ve come back after being away on vacation for a week,” Koegler beamed.

But of course there are some rules to restarting the party, even in Germany where coronavirus infections have declined steadily in recent weeks as the pace of vaccinations has picked up.

The Distillery club in the eastern city of Leipzig, which bills itself as the oldest techno venue in Germany’s former Communist east, is taking part in a pilot project supported by scientists from the Max Planck institute and the local university hospital.

Just 200 club-goers are allowed in instead of the usual 600 and each person must take two different kinds of coronavirus tests earlier in the day, with entry granted only if they test negative both times.

Once inside, the masks can come off and revellers don’t have to socially distance.

Each participant also agrees to being re-tested a week later, to uncover potential infections despite the precautions taken.


Organisers hope the project can serve as a blueprint for further club re-openings to help the hard-hit sector back on its feet after a devastating year.

Although several venues in Germany experimented with open-air parties, club-goer Konny said it “just isn’t the same”.

“In the club, you’re in a different world,” she said.

Growing influence

Distillery manager Steffen Kache expressed pride at being the first club in the country to reopen indoors.

“Everyone is jealous,” he told AFP.

Kache said that if there has been an upside to the pandemic closures, it was that politicians had woken up to the social and economic importance of Germany’s vibrant club culture.

Lawmakers last month agreed to reclassify nightclubs as cultural institutions rather than entertainment venues, putting them on a par with
theatres and museums to provide more protection and tax benefits.

Germany’s nightlife capital Berlin alone – home to iconic clubs Berghain, KitKat and Tresor – usually attracts tens of thousands of foreign visitors each year who generate over a billion euros in revenues.   

Many observers fear that when the pandemic dust has settled, not all of Germany’s clubs will have survived the lengthy shutdowns.

The collaboration with local authorities that made Distillery’s pilot project possible was “unthinkable before the crisis”, Kache said, and evidence of a “reconciliation” between underground club culture and the political establishment.

He said he hoped the next step would be “the nationwide reopening of cultural spots and clubs, without Covid restrictions”.